More props for Kate

Ok, so Kate gets more props. The sudden appearance of Radford got me thinking about some of the old jamband stuff I was listening to back then. So, I pulled out some CDs and started ripping them so I could put them on the old iPod. At this moment I'm grooving in my seat to the seductive sounds of The Beatroots. These guys were so damn much fun. African beats, mixed with Western European/Middle Eastern melodies. Can you create music that's more fun?

In the mid-90's, at the hieght of the "jamgrass" scene. I used to get really bothered over the fact that everyone seemed to be so caught up in bluegrass. I mean, I don't mind a little pick now and then. But, most of that stuff wasn't even new grass, much less bluegrass. And it's all anybody could seem to wrap their heads around. And there was me. Digging on the Beatroots and Baaba Seth. And listening to European groups like Afro Celt Sound System (now known simply as Afrocelts) and American groups like Material. Not to mention digging guys like Baba Maal and Alpha Blondie. And then don't get me started on Irish bands like Planxty, The Dubliners, Altan, The Wolf Tones, and Bothy Band, just to name a few. Or hell, even the fucking Pogues!

Anyways, my point is that there was all this great music. And all this great music to really dance to. I don't mean things you can sway to, or you can turn into dance music if you want to. I mean stuff you've gotta dance to. I mean stuff where it starts playing and you start moving, before you even know what's happening. But could these people get what I was getting at? Nope, they just looked at me with blank stares.

That was pretty much the point where I lost interest in the jamband scene. Just kind of realized that it wasn't my bag anymore. Somewhere along the line I'd gotten off that bus, and started hitch hiking. I get nostalgic now and then, but I don't regret the move. What's the chance that I would have gotten back into indie and punk if I'd stayed there? Hell, where would I have found the joyous sounds of Japanese Noise bands surrounded by a bunch of hippies?!?!?!

I'm starting to reapproach the scene these days. A little now and then. I'd be really surprised if I ever get back into the scene. But, I'm making peace with it. There was a lot of fun had by me back then. I wouldn't trade it for the world. But I'm to eclectic for that scene. The few people I've stayed in contact with don't get half the stuff I listen to. That's not their fault, of course, that's a better ratio then the one for normal people.

But, don't get me started on normal people. They're just to damn weird for me to understand. Why anyone would choose sanity as their life's path is just way beyond me.

afterword (or what ever the word I want is)

Baba Seth broke up after their sax player, Hope, joined Deep Banana Blackout, a jamband funk outift that are fun, so I won't begrudge her choice. But, it is to bad that it had to lead to the end of a really fun band.

The Beatroots apparently broke up as well. At least all signs of them on the web seemed to have vanished. Doesn't surprise me. They never really toured much outside of Maine. And the two vocalists had a kid to watch over. Guess they just decided to focus on other projects. I still remember the festival they put on in Maine though. Such a beautiful fun weekend.

The jamband scene flirted with getting into music from outside of the US. Homegrown carried a Material album, which I think Lee was very smart for doing. And Dr. Didj was getting big as I was stepping out. But, even he seemed to be approached as almost a novelty act. Any conversation about him quickly made mention of the didgeridoo (sp?) and never seemed to go past that. Who knows though, may be they got it. May be there's a band mixing African beats with melodies that spin Celtic and Middle Eastern melodies together, just like I always wanted. May be...

Posted by Matt at May 6, 2003 12:53 AM